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Buddy Ebsen: Born 110 Years Ago Today. Republican Activist. Accomplished Actor. Remarkable Career and Life.

04/02/2018

April 2, 1908 saw the birth of Buddy Ebsen, actor, song and dance man, and long-time Republican enthusiast and activist. Ebsen began campaigning for Republican candidates as early as the 1940s, and participated in virtually every presidential campaign from 1952 on, making public appearances for Eisenhower, Nixon, and Reagan.

In October 1984, Ebsen made national news by appearing in radio and TV ads opposing his former co-star on The Beverly Hillbillies, Nancy Kulp (Miss Jane Hathaway), a liberal Democrat, in her bid for a Pennsylvaniacongressional seat.

Ebsen recorded a radio spot for incumbent Republican Bud Shuster. The spot, which aired throughout central Pennsylvania, said:

"Hi, this is Buddy Ebsen. When I heard that one of our 'Beverly Hillbillies' was running for Congress, I recalled the many discussions we had on the set out here in California. I was pretty conservative and she was real liberal. So I dropped her a note to say, 'Hey, Nancy. I love ya dearly but you're too liberal for me. I gotta go with Bud Shuster."

The two did not speak for years after the incident, but eventually settled their differences.

18 years earlier, Ebsen had gotten the goat of California's Democrat Governor Pat Brown who had been denigrating his Republican challenger, Ronald Reagan as "merely an actor." At a Ronald Reagan rally in 1966, Ebsen joked:

"Better an actor than a clown in Sacramento."

Brown then overreacted and miscalculated by responding: "You know I'm running against an actor. Remember this, you know who shot Abraham Lincoln, don't you? An actor shot Lincoln."

The malicious—and illogical—slur outraged Reagan's Hollywood supporters, and much of the public at large, as Reagan buried Brown by almost one million votes.

In 1952, Ebsen campaigned for Eisenhower and Nixon, breaking into a soft-shoe routine, and singing: "'Ike and Dick are the pair I pick.''

CHRISTIAN LUDOLF "BUDDY" EBSEN, JR.

was born April 2, 1908, in Belleville, Illinois, the middle child with four sisters, to Christian Ludolf Ebsen Sr., a Danish choreographer, and Frances (née Wendt), a Latvian, who was a painter.

Buddy's father once owned a dance studio and was also a physical fitness advocate, before he operated a natatorium for the local school district. Ebsen was raised in Belleville until the age of 10, when his family moved to Palm Beach County, Florida. In 1920, Ebsen and his family relocated to Orlando, Florida. Ebsen and his sisters learned to dance at a dance studio his father operated in Orlando.

During his high school years Buddy became a member of John M. Cheney Chapter of DeMolay International in Orlando. His involvement as a teenager led to his being recognized by DeMolay in adult life with the award of the Legion of Honor Degree, and later by induction into the DeMolay Alumni Hall of Fame.

Ebsen graduated from Orlando High School in 1926. Initially interested in a medical career, Ebsen attended the University of Florida in Gainesville, Florida, from 1926 to 1927, and then Rollins College in Winter Park, Florida, from 1927 to 1928. Family financial problems caused by the collapse of the Florida land boom forced Ebsen to leave college at age 20.

PROFESSIONAL CAREER

Ebsen left Orlando in the summer of 1928 to try his luck as a dancer in New York City, arriving with only $26.75 in his pocket (equal to $380 in 2012) and worked at a soda fountain shop. His sister Vilma Ebsen and he performed as a dance act in supper clubs and in vaudeville — they were known as "The Baby Astaires." On Broadway, the Ebsens appeared as members of the chorus in the musicals Whoopee, Flying Colors, and Ziegfeld Follies of 1934. A rave review from New York columnist Walter Winchell, who saw them perform in Atlantic City, New Jersey, led to a booking at the Palace Theatre in New York City, the pinnacle of the vaudeville world.

MGM SIGNING

In 1935, Ebsen and his sister were approached by Metro-Goldwyn-Mayer for a screen test. They then signed a two-year contract, with a two-year option, for $1,500 per week each (equal to $26,774 today). After relocating to Hollywood, the siblings made their film debuts in "Broadway Melody of 1936" with Jack Benny. This was to be Vilma's only film — a contract problem prevented her making other films and she soon retired from show business.

Ebsen went on to appear in numerous films, both musicals and non-musicals, including the 1936 "Born to Dance," the 1936 "Captain January" (in which he danced with Shirley Temple), the 1938 "Broadway Melody of 1938" (with Judy Garland as his dance partner), and the 1938 "The Girl of the Golden West. Ebsen" partnered with actresses Eleanor Powell and Frances Langford, among others. He also danced solo.

Ebsen was noted for his unusual, surreal dancing and singing style (for example, his contribution to the "Swingin' the Jinx Away" finale of "Born to Dance"). His abilities might have been a reason filmmaker Walt Disney chose Ebsen to be filmed dancing in front of a grid as an aid to animating Mickey Mouse's dancing in Disney's 1929 to 1939 "Silly Symphonies" animated short films.

THE WIZARD OF OZ

When Ebsen turned down studio head Louis B. Mayer's offer of an exclusive contract with MGM, Mayer warned him that he would never get a job in Hollywood again. Nonetheless, MGM did cast Ebsen as the Scarecrow in its 1939 film The Wizard of Oz. Ebsen then swapped roles with actor Ray Bolger, who was originally cast as the Tin Man. Bolger wanted to play the Scarecrow, and Ebsen did not object to the swap. Ebsen recorded all his songs as Tin Man, went through all the rehearsals, and started filming. However, he soon began experiencing cramps and shortness of breath, eventually leading to hospitalization. Doctors determined that Ebsen was suffering a reaction to the aluminum dust used in the Tin Man makeup; he was forced to leave the production for health reasons.

Ebsen recalled that the studio heads did not believe he was sick until someone tried to order him back to the set and was intercepted by an angry nurse. Ebsen was replaced by Jack Haley, with the makeup quickly changed to a safer aluminum paste. Although Haley re-recorded most of Ebsen's vocals, Ebsen's Midwestern voice (as opposed to Haley's Bostonian accent), with the enunciated "r" in the word "wizard," can still be heard on the soundtrack during several reprises of the song "We're Off to See the Wizard." Ebsen's recording of the Tin Man's only solo song, "If I Only Had a Heart," still exists and is included on the two-CD Deluxe Edition of the film's soundtrack, while a still photo recreation of the sequence featuring shots of Ebsen as the Tin Man was included as an extra with all VHS and DVD releases of the film since 1989.

Until his dying day, Ebsen complained of lung problems from involvement in "that damned movie." Ebsen outlived all of the major cast members of The Wizard of Oz, living into the 21st century; only the Munchkins (e.g. Jerry Maren, who has outlived Ebsen by 14 years) and extras are still alive.

WORLD WAR II

After recovering from the illness, Ebsen became embroiled in a contract dispute with MGM that left him idle for long periods. He took up sailing, eventually becoming so proficient in seamanship that he taught the subject to U.S. Navy officer candidates. In 1941, with the start of U.S. involvement in World War II, Ebsen applied several times for an officer's commission in the Navy, but was repeatedly turned down. His application for a U.S. Coast Guard commission was accepted, and he was promptly given the rank of Lieutenant, Junior Grade. This wartime rank was one step up from the rank of Ensign, the usual rank given newly appointed naval officers in peacetime.

Ebsen served as damage control officer and later as executive officer on the Coast Guard-manned Navy frigate USS Pocatello, which recorded weather at its "weather station" 1,500 miles west of Seattle, Washington. These patrols consisted of 30 days at sea, followed by 10 days in port at Seattle. Ebsen was honorably discharged from the Coast Guard as a lieutenant in 1946.

RETURN TO ACTING

Ebsen made his television debut on an episode of "The Chevrolet Tele-Theatre" in 1949. This led to television appearances in: "Stars Over Hollywood," "Gruen Guild Playhouse," four episodes of "Broadway Television Theatre," "Schlitz Playhouse of Stars," "Corky and White Shadow," the "H.J. Heinz Company's Studio 57," "Screen Directors Playhouse," two episodes of "Climax!," "Tales of Wells Fargo," "The Martha Raye Show," "Playhouse 90," "Westinghouse Desilu Playhouse," "Johnny Ringo," two episodes of "Bonanza," three episodes of "Maverick" (in which he portrayed assorted homicidal villains), and "77 Sunset Strip."

Ebsen received wide television exposure when he played Georgie Russel, a role based on a historical person and companion to frontiersman Davy Crockett, in the Disneyland television miniseries "Davy Crockett" in 1954 and 1955.

In the 1958–1959 season, Ebsen co-starred in the 26-episode half-hour NBC television adventure series "Northwest Passage." This series was a fictionalized account of Major Robert Rogers, a colonial American fighter for the British in the French and Indian War. Ebsen played the role of Sergeant Hunk Marriner; Keith Larsen played Rogers.

In the 1960s, Ebsen appeared in episodes of the television series "Rawhide," "Tales of Wells Fargo, and "Have Gun, Will Travel."

From 1961 to 1962, Ebsen had a recurring role as Virge Blessing in the ABC drama series "Bus Stop," the story of travelers passing through the bus station and diner in the fictitious town of Sunrise, Colorado. Ebsen also appeared as "Mr. Dave" Browne, a homeless hobo, on The Andy Griffith Show opposite Ron Howard, and on an episode of "The Twilight Zone."

BREAKFAST AT TIFFANY'S (1961)

Throughout the 1950s, Ebsen also performed in films, mainly Westerns. One notable exception was an acclaimed role as Doc Golightly, an older, rural veterinarian deserted by his young wife (played by Audrey Hepburn) in 1961's "Breakfast at Tiffany's."

THE BEVERLY HILLBILLIES

Paul Henning recalls his reason for choosing Ebsen to play Clampett: "I had seen him on TV and I couldn't imagine anyone else doing the role," he says. "I was fortunate to have him, because he became the cornerstone of the show."

Ebsen became famous as Jed Clampett, an easygoing backwoods mountaineer who strikes oil and moves with his family to Beverly Hills, California, in the long-running, fish-out-of-water CBS sitcom "The Beverly Hillbillies." Aside from the top-billed Ebsen, principal cast members included Irene Ryan as Jed's mother-in-law, Daisy Moses, also known as Granny; Max Baer Jr. as Jed's dimwitted nephew Jethro Bodine; Donna Douglas as Jed's only child, the curvaceous, critter-loving Elly May Clampett; Raymond Bailey as Milburn Drysdale, a bank president who oversees the Clampett fortune; and Nancy Kulp as Jane Hathaway, Drysdale's secretary.

Although scorned by critics, The Beverly Hillbillies attracted as many as 60 million viewers between 1962 and 1971 and was several times the highest-rated series on television. The show also spawned similar Paul Henning-produced rural sitcoms such as "Green Acres" and "Petticoat Junction," which were eventually linked in crossover episode arcs. The Beverly Hillbillies was still earning good ratings when it was cancelled by CBS (because programmers began shunning shows that attracted a rural audience).

BARNABY JONES

Ebsen returned to television in 1973 as the title character of "Barnaby Jones," which proved to be his second long-running television series. Barnaby Jones was a milk-drinking detective who came out of retirement to investigate the death of his son. Critics and CBS executives ridiculed the age of the show's audience, but it lasted 8 seasons and 178 episodes. When Barnaby Jones was cancelled, it was one of the last surviving 1970s detective dramas. Lee Meriwether, 1955 Miss America, played Barnaby's widowed daughter-in-law, Betty Jones. Ebsen appeared briefly as Barnaby Jones on two other productions: a 1975 episode of Cannon and the 1993 film The Beverly Hillbillies.

Meriwether said of her on- and off-screen chemistry with Ebsen:

"He really worked at being at the top of his game," she said of Ebsen. "You had to keep up with him. I adored him. I think he had feelings for me, too." She also said (once again) of the man, who truly adored her, "I loved that man! I was so lucky. He was a dream," she enthuses. "He loved the idea of being a detective. We had CSI-type equipment in the office on the set and he liked doing [his own tests]. It was a show the whole family could watch."

OTHER TV CREDITS

Ebsen's last regular television series was "Matt Houston" on ABC, starring Lee Horsley. Ebsen played Matt's uncle, Roy Houston, during the show's third season from 1984 to 1985. He also appeared in "The Waiting Room," a Night Gallery segment that originally aired January 26, 1972.

Ebsen narrated the documentary series Disney Family Album during the 1980s on the Disney Channel and Steven Kellogg's "Paul Bunyan" on the PBS series Reading Rainbow in 1985. He made his final guest-starring appearance in 1994 on an episode of the short-lived television series revival Burke's Law.

LATER YEARS

Although generally retired from acting as he entered his 80s, Ebsen filmed a cameo in the 1993 film version of The Beverly Hillbillies as Barnaby Jones. This was Ebsen's final motion picture role. In 1999, Ebsen provided the voice of Chet Elderson for an episode of the Fox Entertainment program "King of the Hill." This was his last TV appearance.

Throughout his life, Ebsen had many interests. He became a folk artist and an avid coin collector, co-founding the Beverly Hills Coin Club in 1987 with actor Chris Aable. Ebsen's collection included many rarities such as a four-dollar gold piece worth $200,000. The coin was sold in several auctions both before and after his death. As Ebsen entered his nineties, he continued to keep active, and two years before his death, his bestselling novel "Kelly's Quest" was published. Ebsen wrote several other books including "Polynesian Concept" (about sailing), "The Other Side of Oz" (autobiography) and "Sizzling Cold Case," a mystery based on his Barnaby Jones character.

DEATH

Ebsen died of respiratory failure at Torrance Memorial Medical Center (Torrance Memorial Health System) in Torrance, California, on July 6, 2003, at the age of 95. Upon his death, his body was cremated and his ashes were scattered at sea.

PERSONAL LIFE

Ebsen was first married to Ruth Cambridge and they had two daughters. The marriage ended in divorce. In 1945, Ebsen married fellow lieutenant Nancy Wolcott. They had four daughters, including Kiki Ebsen, and a son. This marriage, after 39 years, also ended in divorce. In 1985, Ebsen married his third wife, Dorothy "Dotti" Knott. They had no children.

LEGACY

Ebsen has a star on the Hollywood Walk of Fame at 1765 Vine Street, and a star on the St. Louis Walk of Fame.

QUOTES

"'As the twig is bent, so grows the tree.' Often the values of the influences imposed on us by our mothers and fathers, our teachers and certain friends, are not realized until years later, when we, as a sailor does, look back at our wakes to determine the course we have steered that got us to where we are. Today when I look back, then look around me to see with whom I am standing, I fully realize the influence on my life that must be credited to DeMolay."

"Writing fiction, there are no limits to what you write as long as it increases the value of the paper you are writing on."

"I probably enjoyed show business most when I was doing plays like 'The Male Animal' and 'Good Night, Ladies,' when people would lay down their money and laugh and you'd see them walk out happy. By God, I'd feel honest. I could go home with a good taste in my mouth. You'd feel better, you'd feel more alive and like you were justifying your existence."

Of The Beverly Hillbillies: "The one flaw in this is that you can't hear the people laughing."


 

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Intelligent Political Discourse—for the Thoughtful New Mexican

 
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2016 Presidential Campaign - Republicans

Jeb Bush gets religion.

"They said he got religion at the end, and I'm glad that he did."  — Tom T. Hall. The Year Clayton Delaney died.

Well, it's official.  Jeb Bush has changed quite of few of his positions on illegal immigration.  The single most significant is that he no longer endorses the "path to citizenship" for those who came here illegally. 

This is, after all, the key portion of any proposal aimed at "reforming" our existing illegal immigration situation.

No sensible citizen can see any point in trying to deport between 12 and 16 million people currently living in America illegally.  And no candidate for any office that we know of supports that.  What the average American wants is for the country to "get a handle on it."  They want it stopped, our borders secured and future illegal immigration prevented.  It is a national security issue.

The Path to Legal Status

The only way to accomplish the above goals, is to identify current illegal immigrants, get them accounted for, have them documented, and placed on a path to legal status.  Neither they nor their children or spouses should live in a state of fear or anxiety.

But a path to "citizenship" is not the right course.  It is not morally or legally correct.  A merciful and compassionate nation can provide the safeguards of legal status without sending the message to the rest of the world that all you have to do is cross our border and you will eventually get to become a citizen, thus circumventing the legal framework scores of millions of Americans have followed, honored and respected.

If someone who is granted legal status eventually wants to become a citizen, that person should have to return to his or her country of origin and wait in line like 20 million people around the world are doing at any given time.  Failing that, America will forever send the signal that anyone in the world can "jump the line," and that there is no reason at all to obey our immigration and naturalization laws.

We Like Jeb Bush

We are glad Jeb Bush has learned this lesson.  He is a fine speaker, and can eloquently explain his positions on complex issue.  If he were not named "Bush" he would be an actual top tier candidate—in all that that title would entail, including likelihood of acceptance and support of and from the American people in the primaries, and in any theoretical general election.  

We also recognize that he already is a de facto top-tier candidate because of his fame and his fundraising.

If he were to be the nominee of the Republican Party we would heartily support him and endorse him.  We hope, however, that he is not, as he does not give the center-right coalition the best chance of winning.

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    Selma   ????? We have now seen the Oscar-nominated movie Selma.   Our earlier allusion to criticism that sounded as though it was in an Oliver Stone category for historical fabrication is some...

Sports

Sports

The Major League Baseball Playoffs are not realistic, and destroy the actual meaning of the sport. 

Major League Baseball is unique in this respect—its postseason is markedly different from the way the game is played normally.  No other major league sport suffers from this flaw.

Not that much is wrong with baseball. In some respects it's the most well thought-out sport there is.  The "perfect game" many aficionados say.

But the Major League Baseball postseason experience is unique in the world of professional sports, and not in a good way. 

In fact the playoffs are flawed in such a way as to detract from the sport itself and diminish the game and what it means to be the world champion of the sport. 

Among the Big Four team sports of North America: football, hockey, basketball and baseball—and all the 122 professional major league teams competing in the NFL, NHL, NBA and MLB respectively—it is in baseball alone that the postseason turns the sport itself on its head and makes it reflect something that it is not.  This article will explain why that happens and why it is wrong-headed.

 

Background on the The Frequency of Play

The 30 teams in both the National Hockey League and the National Basketball Association teams play a very similar schedule.  On average, each team has a day off between games, sometimes two days off.  Though there are back-to-back games, they are relatively infrequent.  NBA teams play between 14 and 22 back-to-back games a season, and for the NHL it usually ranges between 9 and 19. The NFL has a full week between games, the exception being the new Thursday games that each team plays once, leaving them only four days' rest once a year.

But baseball players play every single day.  Ten days straight, then a day off, then seven more games, then a day off, then ten more games.  Typically a baseball team plays 27 games every 30 days.  For the NHL and NBA it would be 14 per month, and for the NFL the number would be 4.

 

Getting to the Playoffs:  It's a grind

In all four sports, getting to the postseason requires a total team effort—in fact an all-out total organizational effort.  Teams must be deep, have bench strength and the capability of moving players in and out of the lineup, and on and off the roster, who can take the place of key players who go down for an injury, or who have to miss games for whatever reason.  While this is true of the other three major sports as well, it is most certainly even more of a concern for baseball teams because of the sheer volume of games in which a team must field a competitive lineup.

Each league's regular season* is a marathon, not a sprint.  NFL teams play for 17 weeks, 16 games.  The NHL has an 82-game season over six months, paralleled by an NBA season of 84 games over the same timeframe. Baseball is the biggest marathon of all—a true test of resilience and endurance—162 games usually starting around the beginning of April and finishing about the end of September.

NHL teams carry 23-man rosters, of which 20 can be active for any particular game.  The NBA is similar, with 15-man rosters of which 13 can be on the bench for a given game. In the NFL, the teams have 53 players on a roster, but only 46 can suit up on game day.  In Major League Baseball, teams have a 25-man active roster, and all 25 are at the park every day.

 

The Postseason Playoffs:  Sport by Sport

The National Football League:

Of the 32 teams, 12 qualify for the playoffs.  The playoffs are conducted in the exact same manner as the regular season.  Each team plays once a week, the exception being that the four top teams get the first week off.  For a typical qualifier to reach the Super Bowl, the team must play three consecutive weeks.  At that point both remaining teams have two weeks off before the Super Bowl.

In short, the playoffs, with a game each week, reflects the same means of advancement as is present in regular season grind.

The National Hockey League: 

16 of the 30 teams qualify for the postseason.  The playoffs are conducted in the exact same manner as the regular season: a game, a day off, a game, a day off, a game, a day off, and so on.  Just as in the regular season, there are occasionally two days off.  But the playoffs require the same stamina, the same approach as that required to make the playoffs.

 

The National Basketball Association

16 of the 30 teams qualify for the postseason.  The playoffs are conducted in the exact same manner as the regular season: a game, a day off, a game, a day off, a game, a day off, and so on.  Just as in the regular season, there are occasionally two days off.  But the playoffs require the same stamina, the same approach as that required to make the playoffs.

Major League Baseball

10 of the 30 teams qualify for the postseason.  (Although four of those teams qualify only for a one-game do-or-die play-in game.)

Here is where all similarity to baseball ends. 

Unlike the other three sports whose playoffs mirror the test of the regular season, and whose conditions are the same as the regular season, Major League Baseball playoffs in no way resemble the sport itself.  In hockey, basketball and football, the teams win playoff games and reach the pinacle of the sport in exactly the same way that they qualify to try to do so. 

Not so in baseball.  They are two entirely different concepts.  Teams make the playoffs only because they have depth, five-man pitching rotations and can play day-in and day-out at a high level.  But the baseball playoffs suddenly become a kind of "all-star" game within each team's roster.  MLB playoffs are conducted in a way that more closely follows the NBA and the NHL.  Teams have enormous numbers of days off. 

Here's the key point:  No Major League Baseball team could even qualify for the postseason if they played the same way during the regular season that they do in the playoffs.  None.

In the regular season Major League Baseball teams have to use a 5-man starting rotation, with pitchers pitching every 5th day.  There are not enough days off to have even a four-man rotation, let alone a team with three pitchers.  Even the best team in baseball using only a 4-man rotation, would wear them out, and most likely end up with a record of something like 66-96, or 70-92—and that would be if they were otherwise teh best team in the sport.

 

The 2014 Baseball Postseason is Typical

As examples, last year's World Series teams the Kansas City Royals played only 15 games in 30 days, and the San Francisco Giants played only 17 games in 30 days.  The 12 to 15 days off in the non-baseball fantasy world of the MLB postseason, means that teams can turn to three pitchers and give all of them plenty of rest.  But it isn't the way baseball really works.

At one point, the Royals had 5 consecutive days off, and the Giants had 4.  This never happens in the regular season.  Even the All-Star break is only three days.  Very rarely is there anything beyond a one-day break, and even that happens only a couple of times a month. 

What this means is that neither team used the team that got them to the playoffs.  (The NFL, NBA and NHL teams ALL used the very same teams that got them to the playoffs.) 

Baseball teams use a three-man pitching rotation in the playoffs.  Sometimes, they essentially opt for two pitchers only—conceding the likelihood that some of their games are going to be lost—when their third-, or rarely fourth-best pitcher has to face one of their opponents' two-man or three-man rotation members. 

Imagine an NFL team using only one running back and three wide receivers, instead of rotating through their roster in the course of a playoff game—or using only 4 defensive backs and 4 linebackers, instead of rotating 8 or 9 DBs and 6 or 7 linebackers?  In hockey, would a team use only two or three of their forward lines?  Would an NBA team use only the starting five?  They would never make the post season if they tried to present that product to their fans during the regular season.

Those are the equivalents of what Major League Baseball sets up every fall.  No other sport drags its playoffs out in such a way as to completely change the playing field—completely change the dynamics of its game.

Why Does Baseball Do This?

MLB does this because the TV networks want to drag out the games so that they can try to have one game each day  This requires an unnecessary staggering of games, and creates the phenomenon of 15 off-days in a month.

What about travel days?

What about them?  Baseball has travel days constantly.  A team may play in Chicago one day and in Miami the next, or in New York one day and Phoenix the very next day.  Travel days as a routine part of the game are again, a phenomenon of television, and stretching out the playoffs.

In years past, travel days were employed only when necessary. The famous "subway series" games were played on seven consecutive days.  Why?  Because there was no "travel day" required to go from Brooklyn to the Bronx.  Today, they would put in artificial travel days.

Even fairly long train trips didn't necessarily matter.  The 1948 World Series between the Cleveland Indians and the Boston Braves was played in six consecutive days, October 6 & 7 in Boston, October 8, 9 & 10 in Cleveland, and October 11 back in Boston.

This reflects actual baseball, the way the teams play day-in and day-out, and the kind of unique test that baseball presents to its athletes, its managers and management, and to its fans.

In the modern world of charter planes, teams fly from coast to coast to play games on consecutive days.  The artificial "travel day" should be eliminated so that teams can play in the playoffs in the same way that got them there in the first place.


*All these leagues also have pre-seasons and training camps, which add an additional 6-8 weeks to each player's year.


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